ANDREW BARGER
Fantasy Short Stories

The Leprechawn
(1888)
D. R. Mcanally Jr.
Every mythology has its good and evil spirits which are objects of adoration and subjects of terror, and often both classes are worshipped from opposite motives; the good, that the worshipper may receive benefit; the evil, that he may escape harm. Sometimes good deities are so benevolent that they are neglected, superstitious fear directing all devotion towards the evil spirits to propitiate them and avert the calamities they are ever ready to bring upon the human race; sometimes the malevolent deities have so little power that the prayer of the pious is offered up to the good spirits that they may pour out still further favors, for man is a worshipping being, and will prostrate himself with equal fervor before the altar whether the deity be good or bad.
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Midway, however, between the good and evil beings of all mythologies there is often one whose qualities are mixed; not wholly good nor entirely evil, but balanced between the two, sometimes doing a generous action, then descending to a petty meanness, but never rising to nobility of character nor sinking to the depths of depravity; good from whim, and mischievous from caprice.
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Such a being is the Leprechawn of Ireland, a relic of the pagan mythology of that country. By birth the Leprechawn is of low descent, his father being an evil spirit and his mother a degenerate fairy; by nature he is a mischief-maker, the Puck of the Emerald Isle. He is of diminutive size, about three feet high, and is dressed in a little red jacket or roundabout, with red breeches buckled at the knee, gray or black stockings, and a hat, cocked in the style of a century ago, over a little, old, withered face. Round his neck is an Elizabethan ruff, and frills of lace are at his wrists. On the wild west coast, where the Atlantic winds bring almost constant rains, he dispenses with ruff and frills and wears a frieze overcoat over his pretty red suit, so that, unless on the lookout for the cocked hat, "ye might pass a Leprechawn on the road and never know it's himself that's in it at all."
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In Clare and Galway, the favorite amusement of the Leprechawn is riding a sheep or goat, or even a dog, when the other animals are not available, and if the sheep look weary in the morning or the dog is muddy and worn out with fatigue, the peasant understands that the local Leprechawn has been going on some errand that lay at a greater distance than he cared to travel on foot. Aside from riding the sheep and dogs almost to death, the Leprechawn is credited with much small mischief about the house. Sometimes he will make the pot boil over and put out the fire, then again he will make it impossible for the pot to boil at all. He will steal the bacon-flitch, or empty the potato-kish, or fling the baby down on the floor, or occasionally will throw the few poor articles of furniture about the room with a strength and vigor altogether disproportioned to his diminutive size. But his mischievous pranks seldom go further than to drink up all the milk or despoil the proprietor's bottle of its poteen, sometimes, in sportiveness, filling the bottle with water, or, when very angry, leading the fire up to the thatch, and then startling the in-mates of the cabin with his laugh as they rise, frightened, to put out the flames.
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To offset these troublesome attributes, the Leprechawn is very domestic, and sometimes attaches himself to a family, always of the "rale owld shtock," accompanying its representatives from the castle to the cabin and never deserting them unless driven away by some act of insolence or negligence, "for, though he likes good atin', he wants phat he gets to come wid an open hand, an' 'ud laver take the half av a pratee that's freely given than the whole av a quail that's begrudged him." But what he eats must be specially intended for him, an instance being cited by a Clare peasant of a Leprechawn that deserted an Irish family, because, on one occasion, the dog having left a portion of his food, it was set by for the Leprechawn. "Jakers, 't was as mad as a little wasp he was, an' all that night they heard him workin' away in the cellar as busy as a nailer, an' a sound like a catheract av wather goin' widout saycin'. In the mornin' they wint to see phat he'd been at, but he was gone, an' whin they come to thry for the wine, bad loock to the dhrop he'd left, but all was gone from ivery cask an' bottle, and they were filled wid say-wather, beways av rayvinge o' phat they done him."
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In different country districts the Leprechawn has different names. In the northern counties he is the Logheryman; in Tipperary, he is the Lurigadawne; in Kerry, the Luricawne; in Monaghan, the Cluricawne. The dress also varies. The Logheryman wears the uniform of some British infantry regiments, a red coat and white breeches, but instead of a cap, he wears a broad-brimmed, high, pointed hat, and after doing some trick more than usually mischievous, his favorite position is to poise himself on the extreme point of his hat, standing at the top of a wall or on a house, feet in the air, then laugh heartily and disappear. The Lurigadawne wears an antique slashed jacket of red, with peaks all round and a jockey cap, also sporting a sword, which he uses as a magic wand. The Luricawne is a fat, pursy little fellow whose jolly round face rivals in redness the cut-a-way jacket he wears, that always has seven rows of seven buttons in each row, though what use they are has never been determined, since his jacket is never buttoned, nor, indeed, can it be, but falls away from a shirt invariably white as the snow. When in full dress he wears a helmet several sizes too large for him, but, in general, prudently discards this article of headgear as having a tendency to render him conspicuous in a country where helmets are obsolete, and wraps his head in a handkerchief that he ties over his ears.
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